His commentaries were written in Arabic, and covered the entire Tanakh. They were accompanied by a very literal translation of the Hebrew text, which often violated the rules of Arabic grammar. These writings influenced the rabbinical sage Ibn Ezra, who quotes Yefet forty-two times in his commentary of the minor prophets.
Unlike his Karaite predecessors in the field of Bible exegesis, Yefet realized the importance of grammar and lexicography for the interpretation of Scripture, although he did not excel in either. The interest which his commentaries present lies chiefly in the accumulation of material for the history of the differences between traditional Judaism and the Karaites; for he enters into lengthy disputes with traditional rabbis, especially with Saadia, from whose commentaries on the Bible and polemical works, including some no longer in existence, he gives many extracts. Thus in regard to Ex. xxxv. 3 he discusses with Saadia the kindling of a fire by a non-Jew on Sabbath, a practise which the Karaites considered to be forbidden. Yefet reproaches Saadia with being unfaithful to the principles he himself had laid down for the interpretation of the Law, according to which no deductions by analogy are admissible in definite revealed precepts. On Lev. xxiii. 5 Yefet cites fragments from Saadia's "Kitab al-Tamyiz", a polemical work against Karaism, in which the author states that there are three sects which are divided on the question of the new moon: (1) the Rabbinites, who, except in special cases, determine it by the molad; (2) the sect of the Tiflis, which follow the molad absolutely; and (3) a sect which is guided by the first appearance of the moon.

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Unlike his Karaite predecessors in the field of Bible exegesis, Yefet realized the importance of grammar and lexicography for the interpretation of Scripture, although he did not excel in either. The interest which his commentaries present lies chiefly in the accumulation of material for the history of the differences between traditional Judaism and the Karaites; for he enters into lengthy disputes with traditional rabbis, especially with Saadia, from whose commentaries on the Bible and polemical works, including some no longer in existence, he gives many extracts. Thus in regard to Ex. xxxv. 3 he discusses with Saadia the kindling of a fire by a non-Jew on Sabbath, a practise which the Karaites considered to be forbidden. Yefet reproaches Saadia with being unfaithful to the principles he himself had laid down for the interpretation of the Law, according to which no deductions by analogy are admissible in definite revealed precepts. On Lev. xxiii. 5 Yefet cites fragments from Saadia's "Kitab al-Tamyiz", a polemical work against Karaism, in which the author states that there are three sects which are divided on the question of the new moon: (1) the Rabbinites, who, except in special cases, determine it by the molad; (2) the sect of the Tiflis, which follow the molad absolutely; and (3) a sect which is guided by the first appearance of the moon.
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Arjun was born in Karnataka. Arjun's initial desire was to become a police officer. He went to police training and was selected but later opted to become a film star. He has acted in over 200 films in five different languages. His wife Niveditha( Asha Rani) is also an actress who has acted in a Kannada movie called Rathasapthami with Shivaraj Kumar. Arjun has two daughters, Aishwarya and Anjana. His nephew (elder brother's son) Chiranjeevi Sarja acts in Kannada movies. Arjun has built a temple for Lord Anjaneya in Chennai.
Arjun started as actor in Kannada film Putaani Agent 1-2-3 with director Rajender Singh Babu. He then moved to Tamil and Telugu films. His first Tamil film was Nandri in 1984 with actors Karthik and Nalini. His popular movies in Tamil include Gentleman, Jai Hind, Kurudhipunal, Mudhalvan, Rhythm, Ezhumalai, Giri, Marudhamalai and Mankatha, there by establishing himself as one of the leading actors in the Tamil film industry. In Telugu, he is known for his role in the 1985 movie Maa Pallelo Gopaludu. Arjun has also directed and produced some films. Arjun has won a Tamil Nadu State Film Award for Best Actor for Gentleman. Unarguably He is the Action king of south India.
Arjun started as actor in Kannada film Putaani Agent 1-2-3 with director Rajender Singh Babu. He then moved to Tamil and Telugu films. His first Tamil film was Nandri in 1984 with actors Karthik and Nalini. His popular movies in Tamil include Gentleman, Jai Hind, Kurudhipunal, Mudhalvan, Rhythm, Ezhumalai, Giri, Marudhamalai and Mankatha, there by establishing himself as one of the leading actors in the Tamil film industry. In Telugu, he is known for his role in the 1985 movie Maa Pallelo Gopaludu. Arjun has also directed and produced some films. Arjun has won a Tamil Nadu State Film Award for Best Actor for Gentleman. Unarguably He is the Action king of south India.
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A young woman wakes up to find herself in a strange place, with no memories of who she is or how she got there. After a short run in with the Mandragoras, the resident bad guys, she is taken in by the Haven's Guard and is named Willow. She is introduced to Earthsong. Earthsong is a manifestation of the planet on which the plot takes place, using a manifest stone made out of her core element to take humanoid form. Each planet in the universe is alive in this way, and many of the planets create "children" - a sentient species that lives on the planet's surface. These are usually humanoid.
Earthsong tells Willow that she is one such "child" of a planet. However, she has been removed from her home planet's surface temporarily. Sometimes pieces of a planet's core element leak to the surface, and form soulstones inside the bodies of children. These soulstones are dangerous to their hosts: they grant the bearer access to the powers of his or her planet, but that same power is too much for the bearer's body to handle. Earthsong brings soulstone bearers to her surface to keep them from blowing up under the stress. Later, the soulstones can be gently removed, so that the child returns to his or her home planet.
Earthsong tells Willow that she is one such "child" of a planet. However, she has been removed from her home planet's surface temporarily. Sometimes pieces of a planet's core element leak to the surface, and form soulstones inside the bodies of children. These soulstones are dangerous to their hosts: they grant the bearer access to the powers of his or her planet, but that same power is too much for the bearer's body to handle. Earthsong brings soulstone bearers to her surface to keep them from blowing up under the stress. Later, the soulstones can be gently removed, so that the child returns to his or her home planet.
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